CV
SELECTED SOLO EXHIBITIONS
2018
Susan Spencer Crowe: Recent Paperworks, Art Space at the Pine Hill Community Center, Pine Hill, New York
Fractured Surface(s): Paperworks by Susan Spencer Crowe, The Foundation Gallery, Columbia Greene Community College, Hudson, New York
2016
Cuts & Folds: Susan Spencer Crowe, The Painters Gallery, Fleischmanns, New York
Birthing the Ethereal: Watercolors and sculptures from 1990s, ARTBAR Gallery, Kingston, New York
2015
Encaustic/Form II, Gallery at R & F Handmade Paints, Kingston, New York
Encaustic/Form, Woodstock Artists Association and Museum (WAAM), Woodstock, New York
2004
Tenth Annual International Exhibition of Women’s Art, Best in Show, (solo exhibition) Soho20 Chelsea, New York City
Susan Spencer Crowe: Attention to Detail, im n il gallery, Brooklyn, New York
1999
Susan Spencer Crowe: Sculpture, Barrows Exhibition Rotunda, Dartmouth College, Hanover, New Hampshire
1997
Working in Steel...and Fabric, Dana Room, Steinman College Center, Franklin & Marshall College, Lancaster, Pennsylvania
1996
Blank Desire, T.W. Wood Gallery, Vermont College of Norwich University, Montpelier, Vermont
Barbed Desire, Trinity College of Vermont, Burlington, Vermont
1995
Prints, Citicorp, One Court Square, Long Island City, New York
1993
Spirit Vessels, Art Initiatives/Tribeca 148, New York City
TWO-PERSON EXHIBITION
2019
Harold Roth 1918 – 2001: The Man Who Captured The Past and Susan Spencer Crowe: The Woman Who Saw The Future, curated by Alan Goolman at the Lockwood Gallery, Kingston, New York
SELECTED GROUP EXHIBITIONS
2023
Abstract Configurations, West Strand Gallery, Kingston, New York
BUILT: Architecture in Art & Design, curated by Alan Goolman, The Lockwood Gallery, Kingston, New York
Luxe, Calm, Volupté, curated by Antonio Sergio Bessa and Allen Frame, Candice Madey, New York, New York
Avocet Portfolio 2023, curated by Andrea Callard, Kentler International Drawing Space, Brooklyn, New York
2022
The Sum of All Parts, curated by Kristen Rego, DCC Mildred Washington Art Gallery, Poughkeepsie, New York
Putting It Together, curated by Alan Goolman, The Lockwood Gallery, Kingston, New York
2020
Rock Wood Paper Scissors, curated by Alan Goolman, The Lockwood Gallery, Kingston, New York
2020 Exhibition of Artists of the Mohawk-Hudson Region, juried by Susan Cross, Senior Curator at MASSMOCA, Albany Institute of History & Art, Albany, New York
Kingston Annual 2020, curated by Julie Hedrick for the Kingston Midtown Arts District, Art Society of Kingston, Kingston, New York
Art Keeps Us Strong Outdoor Banner Project juried by Joy Taylor, Woodstock Artists Association and Museum, Woodstock, New York
2019
In Pursuit of Color, curated by Alan Goolman at the Lockwood Gallery, Kingston, New York
2019 Exhibition by Artists of the Mohawk-Hudson Region, juried by Victoria Palermo, The Hyde Collection, Glens Falls, New York
The Grand Opening: A Group Show curated by Aaron Lockhart, Chelsea Culpepper and Daniel Cardenas, Ferrovia Studios, Kingston, New York, in conjunction with the Kingston Art Walk 2019
2018
Fire in The Belly, curated by Laura Gurton and Carole P Kunstadt, Burnett Gallery, Woodstock, New York
2018 Exhibition by Artists of the Mohawk-Hudson Region, juried by Jean Shin, University Art Museum, University of Albany, SUNY, Albany, New York (catalogue)
Far and Wide National, juried by Daniel Belasco, Woodstock Artists Association and Museum, Woodstock, New York
International Sculpture Day 2018, Saugerties, curated by Jen Dragon, Cross Contemporary Art, Saugerties, New York
2017
Logic and Structure II, curated by Wanda Siedlecka and Roman Kossak, The Painters Gallery, Fleischmanns, New York
The House of Sky, curated by Karen Fitzgerald, Westbeth Gallery, New York City
The Ritual of Construction, curated by Jeanette Fintz, Byrdcliffe Kleinert/James Center, Woodstock, New York (catalogue)
2016
Patterns, curated by Laura Gurton, Wired Gallery, High Falls, New York
Archipelago, Theo Ganz Studio, Beacon, New York
Staying Power, curated by Sharon Bates and Kathy Greenwood, Arts and Culture Program, Albany International Airport, Albany, New York
2015
Figuring Abstraction, curated by Jackie Lipton and Olivia Beens, Westbeth Gallery, New York City
2015 Exhibition by Artists of the Mohawk-Hudson Region, juried by Rachel Uffner, University Art Museum, University of Albany, SUNY, Albany, New York
2014
2014 Exhibition by Artists of the Mohawk-Hudson Region juried by Stephen Westfall, Albany Institute of History & Art, Albany, New York
2013
Far and Wide, the 5th Annual Woodstock Regional, (The Arthur Harris Best in Show Award), juried by Annina Nosei, Woodstock Artist Association & Museum, Woodstock, New York.
Some Assembly Required, curated by Sharon Bates and Kathy Greenwood, Albany International Airport Gallery, Albany, New York
2012
2012 Cowgirls of the Hudson Valley 4, curated by Richard Timperio, BRIK, Catskill, New York
Micromorphic, curated by Laura Gurton, Woodstock Byrdcliffe Kleinert/James Center, Woodstock, New York
2010
2010 Cowgirls of the Hudson Valley 3, curated by Richard Timperio, BRIK, Catskill, New York
Dog Days: Artists Unleashed at the Berkshire Botanical Garden, Stockbridge, Massachusetts
2008 Selections from the Open Studios Tour, Arts Society of Kingston, Kingston, New York
2007
2007 Cowgirls of the Hudson Valley 2, curated by Richard Timperio, BRIK, Catskill, New York
Pillow Talk, curated by ML McCorkle, Ruth Bachofner Gallery, Santa Monica, California
2006
2006 Cowgirls of the Hudson Valley, curated by Richard Timperio, BRIK, Catskill, New York
In/formed Color, curated by Jeanette Fintz, BRIK, Catskill, New York
2005
Project Diversity: A Multi-Venue Exhibition of Brooklyn Artists, A Project of the Rush Philanthropic Arts Foundation, Tabla Rasa Gallery – Sunset Park and Under the Rainbow at Tastes Like Chicken Art Space – East Williamsburg, Brooklyn, New York
2004
Merry Peace 2004, Sideshow Gallery, Brooklyn, New York
Momentum: The Robert Blackburn Printmaking Workshop, EFA Studio Center, New York
Stacked, DiRT Gallery, Santa Monica, California
In the Studio: 30 Years of the Millay Colony for the Arts, Albany International Airport, Albany, New York
2003
Art at Steepletop ’03, Millay Colony for the Arts, Austerlitz, New York
Nature Hanging By A Thread, Queens Theatre in the Park, Queens, New York
Flow: From the Bottom Up, Studio 18 Gallery, New York City
Hello Franklin!, im n iL Gallery, Brooklyn, New York
2002
Peace Drawings, Kentler International Drawing Space, Brooklyn, New York
WTC: Living in the Shadows, Bronx River Art Center & Gallery, Bronx, New York
2001
Abstract and Other: Contemporary Artists, Art Capital Group, New York City
Cross Pollination, Holland Tunnel Gallery, Brooklyn, New York and Los Angeles Arboretum, Los Angeles, California
Multiple Connections: Master Printers’ Portfolios, Bronx River Art Center and Gallery, Bronx, New York
From the Dream to the Studio: Paintings and Sculpture of the Surreal, The Helen Day Art Center, Stowe, Vermont
Daily Drawings, Kentler International Drawing Space, Brooklyn, New York
2000
25th Anniversary Exhibition, Art Awareness, Lexington, New York
1999
Thoughts in Sculpture, curated by Lorenzo Pace, Montclair State University Art Galleries, Upper Montclair, New Jersey
1998
Gallery Artists and New Talent, Katharina Rich Perlow Gallery, New York City
Album, 30 years of the Lower East Side Printshop curated by Nancy Princenthal, West Chelsea Arts Building, New York City (catalogue)
1998 Exhibition of Painting and Sculpture curated by Laura Hoptman, The Berkshire Museum, Pittsfield, Massachusetts (catalogue)
Bridges to Brooklyn, Wilmer Jennings Gallery, Kenkeleba House, New York City
1997 Bridges from Brooklyn, Fondo del Sol Visual Arts Center, Washington, DC
1996 Bronx Spaces, Bronx Museum of the Arts, Bronx, New York (catalogue)
1995 The Avocet Portfolio, Kentler International Drawing Center, Brooklyn, New York
In Three Dimensions: Women Sculptors Of The ‘90s: Part One, Snug Harbor Cultural Center, Staten Island, New York (catalogue)
Printed at the Lower East Side Printshop, La Mama Galleria, New York City
Sites Specific, Bronx River Art Center and Gallery, Bronx, New York
1994 Paperworks: Prints from the Lower East Side Printshop, Rockland Community College, Suffern, New York
Nine for 94, One Main Sculpture Space, Brooklyn, New York
A Celebration Of The Serpent, The Sacred And Spring, Right Bank Gallery, Williamsburg, Brooklyn, New York
1993 The Current Wave, Bronx River Art Center and Gallery, Bronx, New York
Women’s Art, Women’s Lives, Women’s Issues, sponsored by the Commission on the Status of Women, Tweed Gallery, New York City
1992 The Abortion Project, New Langton Arts, San Francisco, California
Reinventing the Wheel, Henry Street Settlement Louis Abrons Arts Center, New York City
The Abortion Project, Hallwalls Contemporary Arts Center, Buffalo, New York
1991 The OIA Salon ‘91, Organization of Independent Artists, New York City
The Abortion Project, Real Art Ways, Hartford, Connecticut
Prints And Books From The Lower East Side Printshop At Pyramid Atlantic, Pyramid Atlantic, Riverdale, Maryland
The Backroom, Simon Watson Gallery, New York City
1990 Art Against Apartheid, Jamaica Arts Center, Jamaica, New York
1989 21st Anniversary Exhibition, The Printshop Comes of Age, La Mama Galleria, New York City
The Meaning of Metal, Memorial Arch/Grand Army Plaza, Prospect Park, Brooklyn, New York
Special Editions, Henry Street Settlement, Louis Abrons Art Center, New York
1988 Sculptural Installation, In the Spirit of Community, Art Awareness, Lexington, New York
BED-STUY, Minor Injury, Brooklyn, New York
1987 Benefit Exhibition, HERESIES: Issues That Won’t Go Away, PPOW Gallery, New York City
Print Babel, La Mama Galleria Second Class, New York City
ARS BRVKLNIENSIS - Sculpture, Wiesner Gallery, Brooklyn, New York
Connections Project/Conexus, collaborative artist books project - Brazilian & US women artists, The Museum of Contemporary Hispanic Art, New York
1986 Isolation and Identity, Minor Injury, Brooklyn, New York
Undercurrents, Wiesner Gallery, Brooklyn, New York
Women’s Labor, Women’s Caucus for Art/Liberty and the Pursuit of Liberty, Gallery 1199, New York City
Decisions/Divisions, Federal Courthouse, Foley Square, New York, and Federal Courthouse, Cadman Plaza, Brooklyn, New York
1985 Art Against Apartheid, Paul Robeson Cultural Center, Pennsylvania State University, University Park, Pennsylvania
Choice Works, Central Hall Artists/PADD’s “State of Mind/State of Union,” multi-site project, New York City
Brooklyn ‘85, The Brooklyn Museum Community Gallery, Brooklyn, New York
1984 Art Against Apartheid, Westbeth Gallery, New York City
Brooklyn Waterfront Artists, Brooklyn Museum Community Gallery, Brooklyn, New York
Fashion Moda at Spaces, curated by Anson Seeno, Spaces, Cleveland, Ohio
A collaborative project, More Do’s Than Don’ts, The Birth Control Show, 10 Windows on 8th Avenue, New York City
Pain And Pleasure, Fashion Moda, South Bronx, New York
1983 Brooklyn Waterfront Artists Show, Part II, BACA Downtown Cultural Center, Brooklyn, New York
1981 Invitational, The Artist and Space, Fulton Ferry Museum, National Maritime Society, Brooklyn, New York
1980-84 Annual Brooklyn Waterfront Artists Open Studio Show, Brooklyn, New York
1978 Vinegar Hill Artist’s Coalition Show, Brooklyn, New York
AWARDS:
2018 Kuniyoshi Fund Award, The Kuniyoshi Fund with the Woodstock Artists Association and Museum
Juror’s Award, 2018 Exhibition of Artists of the Mohawk Hudson Region at UAlbany Art Museum
2013 The Arthur Harris Best in Show Award, 5th Annual Woodstock Regional, The Woodstock Artist Association Museum
2004 Creative Capital’s Professional Development Workshop Program, Emily Hall Tremaine Foundation
Best in Show, Tenth Annual International Exhibition of Women’s Art, Soho20 Chelsea
2001 New York Foundation for the Arts, Fellowship Award in Sculpture, 2001
(Lily Auchincloss Foundation Fellow)
1992 Art Awareness Avocet Printshop, Artist Residency
1991 Art Awareness Avocet Printshop, Artist Residency
1988 Millay Colony for the Arts, Artist Residency
1987 New York Foundation for the Arts Fellowship Award in Sculpture, 1987
EDUCATION
1996 Vermont College of Norwich University - MFA in Visual Arts
1974 Pratt Institute, School of Art and Design - BFA with honors
PROFESSIONAL ARTS EXPERIENCE AND RELATED AFFILIATIONS
For nearly 20 years, Crowe enjoyed a substantial career in Arts Administration for many of the large and mid-sized cultural institutions and alternative art organizations in New York City, such as The Jewish Museum, the Whitney Museum of American Art, the New Museum, and the Drawing Center. Throughout this time, she served as a presenter, facilitator, and panelist for a wide variety of local, county and state government agencies arts and funding panels. These agencies included the New York State Council on the Arts Visual Arts Program; the Massachusetts Cultural Council, Artist Grants in Sculpture/Installation; the New York City Department of Cultural Affairs’ Percent for Art Program and Community Arts Development Fund; the Brooklyn Arts Council’s Regrant Program in the Visual Arts; and the Queens Council on the Arts’ Decentralization Program and Individual Artists Program. After moving upstate to Kingston in 2005, she was asked to serve as a panelist for the Ulster County Cultural Services and Promotion Fund administrated by Arts Mid-Hudson and did so from 2011 to 2015. Crowe also served as a juror for the Thayer Fellowship for the Arts and The Patricia Kerr Ross Award to a promising creative artist graduating from the State University of New York from 2009 to 2019. In addition, she served the boards of several arts organizations, Lower East Side Printshop, Robert Blackburn Printmaking Workshop, and the Women’s Studio Workshop.
After retiring from her Arts Administration career with plans to move her home and studio upstate in 2004, Crowe began her 16-year teaching career in the Studio Art Program at Queens College, City University of New York. As an Assistant Professor of Art, she was responsible for developing and teaching studio classes in sculpture, drawing and fundamentals of art. In addition, she also advised graduate students as an Artist/Teacher in a low-residency program for the Vermont College at Norwich University (2007-2011) and later Vermont College of Fine Art (2020-2022). Before that she was a Visiting Artist Lecturer/Instructor at Dartmouth College in Hanover, New Hampshire and gave a series of welding workshops in the Studio Art program at Sarah Lawrence College in Bronxville, New York, and numerous visiting artist lectures at colleges in the Northeast.
Before teaching and working as an arts professional, Crowe worked in the book publishing industry and later for a commercial real estate and construction management firm in mid-town Manhattan in the 1970s and early 1980s.
SPECIAL PROJECTS AND ART-RELATED ACTIVITIES
2019
Artist Talk, Kingston Arts & Action Meetup (KAAM) at The Beverly, Kingston, New York – February 7th, 2019
2018
Artist, The Matzo Files, Streit’s Matzos, Project of Artists Alliance, New York City
1996
Catalogue Essayist, “Memories of Darrel,” for Darrel Ellis exhibition, Art in General, New York City, November 7, 1996 - January 19, 1997
1992
Catalogue Essayist, “The Legacy of 1492,” for the Prisoners of War In My Own Land/On Foreign Soil, Parsons School of Design, October 6 - 27, 1992
1988
Curating Committee, Association of Williamsburg/Greenpoint Artists, Documentary Show, and Artmakers, Changing Face of Soho, MTA Creative Stations Project at the
Broadway/Lafayette Subway Station, two-year installation
1986
Curating Committee and Project Coordinator, Lower East Side Printshop for the PAD/D’s Concrete Crisis Poster portfolio, October 1986 - January 1987 (exhibited at Exit Art and on the streets of New York City during the month of February 1987 and at the Museum of Modern Art as part of the Committed To Printexhibition, January-April 1988
Design and Production Staff, UPFRONT, Winter1985/86 Issue on Displacement - PAD/D publication and Fall 1985 Issue on State of Mind/State of Union - PAD/D publication
1985
Participant in Vernita Nemec’s This Is Not A Condom, a performance at Central Hall Gallery on February 3, 1985 and Douglass College of Rutgers University in New Brunswick, New Jersey on January 30, 1985
1984
Co-curated art, performance and video for Fashion Moda’s Art For Someone Else’s Home at Danceteria, New York City, May 11, 1984
SELECTED BIBLIOGRAPHY
2020 Marston-Reid, Linda – “’Rock, Wood, Paper, Scissors’” exhibit at The Lockwood Gallery, POUGHKEEPSIE JOURNAL.com, December 29, 2020 (photo)
2019 Woods, Lynn, “’In Pursuit of Color’ now on view at the Lockwood Gallery,” HV1’s Almanac Weekly, November 28, 2019, pgs. 10-11
Marston-Reid, Linda – “’In Pursuit of Color’ explores many sides of artists’ visions at The Lockwood Gallery,” POUGHKEEPSIE JOURNAL.com, November 13, 2019 (photo)
Woods, Lynn, “Kingston’s Art Walk, HV1’s Almanac Weekly, September 19, 2019, page 4
2018 Brickman, David – “2018 Exhibition by Artists of the Mohawk-Hudson Region at UAlbany Art Museum,” Get Visual: Things Seen and Heard on the Capital Region Art Scene and Beyond Blog, October 27, 2018 (photo)
Woods, Lynn, “Fire in the Belly” at Burnette Gallery in Woodstock, HV1’s Almanac Weekly, October 11, 2018
Marston-Reid, Linda “Artists explore big ideas in small works in ‘Far and Wide’ at Woodstock Museum,” POUGHKEEPSIE JOURNAL.com, June 27, 2018
Woods, Lynn, “Sculpture in the village marks springtime in Saugerties,” HVI.com, Saugerties Times, April 19, 2018
____________, “Saugerties celebrates International Sculpture Day,” HVI.com, Saugerties Times, April 5, 2018 (photo)
2017 Marston-Reid, Linda – “Artists delve into geometric abstraction in Woodstock,” POUGHKEEPSIE JOURNAL.com, May 17, 2017 (Ritual of Construction exhibition)
2016 ………,”Celebration of Patterns at the Wired Gallery,” Prime Times, timescommunitypapers.com, November 23, 2016 (photo) (Patterns exhibition)
Brickman, David – “Swan Song”, DBGetVisual: Things Seen and Heard on the Capital Region Art Scene and Beyond Blogspot.com, July 31, 2016 (photo) (Staying Power exhibition)
Griffin, Amy – “Founder of Arts Program at Albany airport departing: Sharon Bates leaves behind multi-faceted program, ends tenure with show focused on older artists,” TIMES UNION.com, July 15, 2016 (Staying Power exhibition)
2015 Brickman, David – “2015 Exhibition by Artists of the Mohawk-Hudson Region,” Get Visual: Things Seen and Heard on the Capital Region Art Scene and Beyond Blog, August 29, 2015
Woods, Lynn, “Susan Spencer Crowe: a playful minimalism,” KINGSTON TIMES, May 182015 (online) and print edition, pages 19-20 (photos) (Encaustic/Form II exhibition)
Marston-Reid, Linda – “Artist uses encaustics to create shapes, forms,” POUGHKEEPSIE JOURNAL.com, May 7, 2015
2014 Brickman, David – “2014 Exhibition by Artists of the Mohawk-Hudson Region,” Get Visual: Things Seen and Heard on the Capital Region Art Scene and Beyond Blog, December 28, 2014
2013 Woods, Lynn – “Some Assembly Required: Art at Albany Airport,” Hudson River Museum & Gallery Guide, Spring 2013, pages 20-24
Bianchi, Dina – “Art in the unusual”, SPOTLIGHT NEWS.com, March 29, 2013, photo
Griffin, Amy – Contemporary art in ‘Some Assembly Required’ expands definition of ‘collage.’,TIMES UNION, March 15, 2013 (timesunion.com), photo
2006 Occhiogrosso, Peter – Art and About, Hudson River Museum and Gallery Guide, Fall 2006 (In/formed Color exhibition)
Fintz, Jeanette – “In/formed Color at Brik Gallery,” THE ARTFUL MIND, July 2006, page 13 and photo
2005 Powhida, William – “Under the Rainbow,” Tastes Like Chicken Art Space, THE BROOKLYN RAIL, June 2005
2004 McFadden, Joanne – “Millay Colony marks 30 years with exhibition: Artwork of former residents on display at Albany Airport,” The Sunday Gazette, Section G, May 2, 2004, pg G1 and G2, photo
2001 Seidman, Sarah - “From the Dream to the Studio: Paintings and sculpture of the surreal at the Helen Day Art Center,” THE TIMES ARGUS, (Montpelier, VT) February 2, 2001, page, C7
1999 ………., “Thoughts in Sculpture at University Gallery,” THE MONTCLAIR TIMES, October 14, 1999, pg A6
1997 Campello, F. Lennox - “Alternative Walls and other Such Art Spaces in Washington,” Visions magazine, August 1997, page 5 (Bridges from Brooklyn exhibition)
Protzman, Ferdinand - “Brooklyn Bluster & Brio,” THE WASHINGTON POST, July 26, 1997, Style Section, page 2 (photo)
1996 Spengemann, Pascal - “Rage Against the Machine,” SEVEN DAYS, February 21, 1996
1995 Avgikos, Jan - “Gris-Gris Goddess Ya Ya: The Movement That Time Forgot,” VILLAGE VOICE, August 8, 1995, pp 70-71 (In Three Dimensions exhibition)
1992 Bonetti, David - “Taking their battles to the gallery,” SAN FRANCISCO EXAMINER, August 8 - 14, 1992
Pasternak, Ann R. - “The Abortion Project,” ART NEW ENGLAND, February/March 1992, page 23 (photo)
1990 Iverem, Esther - “Against Apartheid In Art and Photography,” New York NEWSDAY, June 17, 1990, page 9
1989 Brown, Kenneth - “Arch Hosts A Meeting of the Metals,” FLATBUSH LIFE, October 30, 1989, page 3B
1988 Batson, Bill - “Community Artist Profile Takes a Summer Vacation - Susan Crowe, Elka Gould & Heidi Schlatter,” GREENLINE, August 15, 1988, page 20
1987 Moakler, Bill - “Greenpoint Artists Open Studio - Neighborhood Art Flourishes,” GREENLINE, October 15, 1987, page 14
Flicker, Robin - “A Women’s Work is Never Done,” DOWNTOWN, Issue #77, December 16, 1987
Batson, Bill - “Community Artist Profile: Susan Crowe,” GREENLINE, September 15, 1987, page 20 (photo)
Steven, Greg - “Brooklyn Artists Sculpting a New Voice at Wiesner Show,” PHOENIX, April 16, 1987, page 23
1986 Binkley, Sam - “Isolation & Identity,” GREENPOINT GAZETTE, May 20th, 1986
1985 Garber, Stuart - “Wrestling with the Darkness,” UPFRONT, #10 - Fall 1985, page 10 (photo) and 12(Choice Works exhibition)
Waite, John - “Starting Their Minds: Political Art Documentation/Distribution,” METROPOLIS M 1985, page 32 (Choice Works exhibition)
Kelley, Kevin J. and photos by David Vita, “State of Mind/State of the Union, Art and Politics: A Lovely Couple,” GUARDIAN, February 5, 1985, centerfold, photo (Choice Works Exhibition)
Dooris, Virginia K., “Diversity is the Trademark of this Brooklyn Artists’ Exhibition” at the Brooklyn Museum Gallery, PHOENIX, January 24, 1985
SELECTED PUBLICATIONS
Openings: A Memoir from the Women’s Art Movement, New York City 1970-1992, Sabra Moore, New Village Press, 2016, p. 253, art (Book)
Screenprinting: Water-Based Techniques, Roni Henning, Watson Guptil, 1994, p. 124-125, art
Whitewalls, A Wretch Like Me, Fall-Winter 1994, p. 38 (Book)
Heresies #23, Coming Of Age, p. 40, art
Exhibition Catalogues and Brochures:
Kingston Annual 20/20 (catalogue), 2020, Curator Julie Hedrick, mad/ASK, Midtown Arts District/Arts Society of Kingston
Artists of the Mohawk Hudson Region (catalog), Curator Jean Shin, p.22
The Ritual of Construction, Curator Jeanette Fintz, The Kleinert/James Gallery, 2017 (cover image), p. 24-25, art
Lower East Side Printshop, Album, 30 Years of the Lower East Side Printshop, art
Berkshire Museum, 1998 Exhibition of Painting and Sculpture, art
Bronx Museum for the Arts, Bronx Spaces, art
Snug Harbor Cultural Center, In Three Dimensions: Women Sculptors Of the ‘90s: Part One, 1995, art
Paul Robeson Cultural Center, Art Against Apartheid
The Brooklyn Museum Community Gallery, Brooklyn ‘85, art
SELECTED COLLECTIONS
Museum of Modern Art, New York City
Davidson Art Center Collection, Wesleyan University, Middletown, Connecticut
Robert R. Gilbert, Atlanta, Georgia
Carol Strober, Los Angeles, California
Linda Cummings, New York City
Elizabeth Merena, New York City
Manda Helal, London, UK
Richard Frumess and Pamela Blum, Kingston, New York
Rebecca Spivack, New York City
Wanda Siedlecka and Roman Kossak, New York City
Susan Hamowitch, Kerhonkson and Brooklyn, New York
David and Kathy Finholm, Friday Harbor, Washington
Steven Wechsler, New York City
Nancy Rosenthal and Jim Nevin, New York City, and Pine Hill, New York
Ward Mintz and Floyd Lattin, New York City and Kingston, New York
Bryana Devine, Woodstock, New York